Cyberpunk

My friend from Cyberpunk Review and I once had a very interesting conversation over coffee on this idea we called transnational cultural feedback. (He was a systems analyst and I'm a sociologist so I guess that's logical.) Basically it's the phenomenon of constant generational exchange of culture between various countries where not only do we have one country imitating the other, but the other country imitating the imitation. This interests me in the nature of the conduits which allow for this transfer of culture. Who are the people carrying this culture between nations, and why and what meaning does this culture mean to the carrier. In terms of Pierre Bourdieu, the imitation of culture from one nation to another implies a relationship of reverence to that original culture. Value is attributed to the lifestyle and is imitated in an effort to gain similar status. Continued transfers back and forth implies a shifting of value reverence and activity between the nations.

Obviously the example I would pick out as an excellent case study would be between Japan and the US. Some would say that much of early inspirations of cyberpunk was born out of the heady days of the cold war during the Reagen administration. Fears of nuclear war eminent and a sudden realization of impotence to the frightening rise of Japanese technology. Cyberpunk captured the "what if" scenarios of technology on the human condition and more often than not high technology meant Japan. So many of the technological horror movies (The Terminator) may at least subconsciously derive from fears of Japanese technology.

What is strange is now with the Japanese interests with western culture including science fiction, much of that is in the sub-conscience of the Japanese as well. So when we see a technology research company call themselves cyberdyne and built a powered suit named HAL, we have to pause to think of why such an homage is paid to Western literature. (Read more about HAL here.)